20
Aug
09

The Master Mystery Tells You How !!

location that endeavering to make her horny will then reward you with a FULL
MONTY CLOSE (there is only ONE close in this game, and that’s FULL MONTY, the
kiss close is not a close just like biting her neck or pulling her hair is not
a close, they are RAPPORT TACTICS! and the # close is actually a BRIDGE, to
bridge the gap of time between when you part and when you come together again
so you may continue your gameplan). This way, you wont have any LMR (although
you’ll have LMR tactics to what will make her feel COMFORT and TRUST with you
as you penetrate her).
Keep it UP!
Mystery

NEG

Mystery writes about NEG HIT Theory!

HERE IS HOW:

A 10 is there surrounded by friends. She has put on this BITCH act. Is she REALLY a bitch? Unlikely.

All my girlfriends were wonderful human beings – beautiful people have it easier because they are

beautiful and often times have better upbringings because of it. BUT – they need to have a standard with

which to uphold when all these NOBODY guys approach her. So her values are very honed and

understood. When a man walks up and says, “can I buy you a beer?” she WILL be annoyed by this.

While the guy thinks he’s doing something nice for her, she gets this ALL the time. She is desensitized to

this. You are the 8th guy TODAY! So she is very good at brushing all these guys off. Shit, she HAS to

be… she isn’t going to sleep with ALL of them! So she may say NO or act annoyed and then the guy

thinks she’s a bitch and walks off pissed and feeling like a failure. And that seems to work. Sometimes

when the girl is particularly in a feeling of control (like in a club where she is PREPARED for the barrage

of men – it IS after all something that occurs so often that when it is GONE she MISSES it)

she will accept the beer and then flake the guy off. Hey, the guys are stupid enough to buy her one, she

might as well take it. When they take a beer from you, the girl is saying to you, “I don’t know you and I

don’t care about you. You are just another one of those typical guys and since I dont respect you, Ill take

the beer from you before I snub you.”

I was with my friend Diane (the 10) and her cute friend (an 8.5 maybe I guess). A guy came up and

asked, “I don’t mean to bother you but would you like to dance with me?” The 8.5, not being used to this

said, “ummm, ahhh …” and the guy gave a puppy dog look and I was smiling at her knowing how pathetic

the guy was so I saw the humor in the situation and the girl said, “ummm, why not. sure.” The guy said,

“REALLY? are you SURE? Wow, I NEVER get girls to dance with me.” What a

pathetic loser. She started talking with Diane and the guy just standing there and they never went for the

dance. weird eh? He then said … to ME… “Can I buy her a beer?” I said, “you can buy ME a beer … but

you’ll have to ask HER.” At this point I knew he was being a hassle to her, she wasn’t interested in the

slightest and felt uncomfortable. I thought is was great to see this occur in front of me – it was highly

educational and more so entertaining. So I say, “Hey, the guy wants to buy you a beer :)” I’m getting into

this now hahahaa. It was great. The girl goes, “ummm, no thank you.” Now Diane (the 10) says, “yes,

she’ll take the beer.” So he buys her a beer. And then he never talks to her again! Weird eh? Well that’s

how it went down.

I digressed. oh well, steady stream of text from my brain … Ill trudge on (sorry reader) … since a 10 is so

GOOD at snuffing your approach (nothing ever personal either – it is a strategy that is built over years of

stupid guys approaches EVERY FUCKING DAY, she will do the same to YOU. That is why

SNUFFING THEM is important. You cant INSULT them because they are used to all the hurt guys

INSULTING them (ahh you are nothing but a bitch!) so this rolls off their back like water off a muskrats

ass. How do you SNUFF them without INSULTING them? Well, let’s say she has long nails which are

most likely

fake. Now why do 10s dress so FINE if they don’t want the attention? Because they LOVE the feeling

of control sometimes. They are in a club with friends and they want to be the leader of the circle (social

hierarchy in primates) and so she gets all the attention. The guys come and buy drinks for them and she

gets off on knocking the guys down. Its all in a days play. Ok, so she is wearing fake nails to look even

BETTER! Most guys will say, “wow you are so beautiful.” BORING, typical and in her mind by now

(after years of the same shit) TRUE. Imagine a guy comes along and says, “nice nails? are they real?” she

will have to concede, “no. acrylic.” and you say (like you didn’t notice it was a put down), “oh. (pause)

well I guess they still

LOOK good.” Then he turns his back to her. What does this do to her? Well, he didn’t treat her like shit and INSULT her. He complimented her but

the result was to target her insecurity. She thinks, “IM HOT IM BEAUTIFUL (especially in that

emotional state of control as in the public)… but I didn’t win this guy over. IM SO GOOD at this. ILL

just fix that little smear on my image that he has of me.” then you continue to show disinterest in her looks

as you giveher a neutral topic like the Elvis script. During this her intention is to get you to become like all

the other guys so she can feel in control and snuff you and you then give her another NEG HIT like this …

“is that a hair piece? well, its neat … what do you call this hairstyle? The waffle? :)” Smile and look at her

to show her you are sincerely being funny and not insulting. You are pleasant but disinterested in her

beauty. This will intrigue her because she KNOWS guys. And this isn’t normal. You must have really high

taste, or be used to girls or be married or something. These questions make her CURIOUS. So this

keeps happening and is known as FLIRTING. She give you little neg hits and these tests are qualifiers.

You pass them by neg hitting her back. After all, you aren’t like the others showing interest. But … why?

To get control again she says, “will you buy me a drink?” notice how she is trying to get you now! BUT,

she only wants to sucker you in enough so she can SNUFF you. That is all she is about – this strategy is

all she knows and it’s not working for you so she is trying to do damage control on the situation. But at

the same time she doesn’t quite understand WHY you don’t think you are great. After all, her nails ARE

fake. You say, “ahhh, thats so funny … you nose moves when you speak… (pointing and being cute) look

there it goes again … its so … quaint … hheeeee looky” :D She’ll say, “ahhh, stoppp :) blush*.

Now she is self conscious and having her in this state is where you want her. You have with 3 neg hits

successfully created INTEREST (curiosity) and removed her from her pedestal (removed her bitch

shield.) You were humorous, you had a smile, you dress well, you are confident and everything she

would want in a man.

You didn’t take her shit. OH, and when she asked you for a beer, you said, “no. I don’t buy girls drinks.

but you can buy ME one.” You are qualifying HER now. If she buys you a beer, this is symbolic of her

RESPECT for you.

If not you say, “pleasure meeting you” and turn your back to her again. DONT walk away, just turn your

back. You are neg hitting them again just when they thought she was negging YOU. That is teasing each

other. That is the first step to flirting. This is all textbook psychology. Simple stuff and it works enough for

me to have had 58 girls in 6 years.

A NEG HIT is a qualifier. The girl is FAILING to meet your high expectations. It’s not an insult, just a

judgement call on your part. The better looking the girl, the more aggressive you must be with using neg

hits. A 10 can get 3 neg hits up front, while an 8 only 1 or 2 over a longer time. You CAN go overboard

if they think you are BETTER than them You can drop the self-esteem right from under them (just like

most 10s do to guys) and this isn’t good. You have to get as close to the breaking point as you can

without crossing the line. Once you have gotten her RIGHT THERE, you can start appreciating things

about her (NEVER LOOKS). There is a mutual RESPECT now. Something most guys never get from

the girl.

This is how you remove a bitch shield 3 neg hits oughta do it within 2 or 3 minutes of neutral chat. Once it

is down, you can from a mutual respect place, seduce her. Rapport is to many people poorly defined word. I personally discard the word

because of this and replace it whenever I read it with “Trust and Comfort”. And

yes I have, a teacher of attraction, considered this at length. I don’t want to

have my students wrongly assume what something means. I’ve read many books on

rapport so I have an understanding of several variations of what rapport MEANS.

It boils down to “Trust and Comfort”. This is separate from attraction, which

is a form of envy and curiousity. If a woman learns about you and this

information makes her envious of you (or your situation or social standing) and

curious to know more, she will take the time to “get to know you”. what IS

“getting to know”? it not about obtaining a quantified list of answers to

standard questions. Its about FEELING like the know you. They are concerned

that A) they can trust that you wont make them feel uncomfortable and B) they

have comfort with you. so not only must they have comfort with you before you

can begin to seduce them (which I believe begins when you make ‘a pass’ (which

is not done when you kiss her as that is a rapport building tactic but only

when you have her in a private seduction location like her bedroom or yours)),

but you also need to provide her with enough evidence to suggest that you wont

make her uncomfortable in the future.

So, if you ATTRACT her first (personality conveying), then QUALIFY her (make

her jump through your hoops (HOOP THEORY) to qualify herself to you and then

compliment her on her success in jumping through them (eg: “You’re GERMAN? Oh

my god I love you!” — this one came from a beautiful and intellegent (that’s

rare) exotic dancer last night) so that your kino isnt seen as if you do that

to everyone, then you can go into RAPPORT phase. this means, no more negging

(unless she triggers your PUNISHMENT/REWARD subroutine as usual), no more

BALLBUSTING (I use that term loosely because really ballbusting is a loose term

for what happens during PUNISHMENT/REWARD), and generally being NICE (only when

she deserves it will you PUNISH by either a NEG (not NEG HIT), or ACTIVE

IGNORANCE (where you turn back to her, or lean back from the convo

uninterestedly and fail to proactively hold the convo). The PURPOSE of the

RAPPORT PHASE is to build TRUST and COMFORT. if you have that, then she will

TRUST coming over to you house. She’ll feel comfortable with you … and ‘know’

that you wont make her feel uncomfortable. many times, the biggest obstacle to

your success comes in the form of a “I don’t even know you” objection. This can

be solved with TIME. Take the time to allow her to ‘get to know you’ by

building TRUST and COMFORT because she wouldnt be talking to you that long if

she wasnt already ATTRACTED. With RAPPORT (Comfort and Trust) she will have no

problem with dropping by your house. Then there are way to KEEP her comfortable

to get her in the bedroom. Once on the bed, or even simply on the couch in your

living room (under guise of continuing to buld rapport) you may NOW phase shift

to SEDUCTION mode and make a pass on her. See, getting a bridge made (getting

her # or getting a location meet up) should NOT be seen as a PASS but a way to

continue ‘getting to know eachother’. with attraction comes a CHANCE to build

RAPPORT. with RAPPORT comes trust to come to you SEDUCTION LOCATION (her

place

or yours, sometimes even the car ifyou agree to drive to a secluded place to

‘park and look at the city from the hill’). it is only AT the seduction location that endeavering to make her horny will then reward you with a FULL

MONTY CLOSE (there is only ONE close in this game, and that’s FULL MONTY, the

kiss close is not a close just like biting her neck or pulling her hair is not

a close, they are RAPPORT TACTICS! and the # close is actually a BRIDGE, to

bridge the gap of time between when you part and when you come together again

so you may continue your gameplan). This way, you wont have any LMR (although

you’ll have LMR tactics to what will make her feel COMFORT and TRUST with you

as you penetrate her).

Keep it UP!

Mystery

19
Aug
09

Be Successful With Women

BE SECCESSFUL WITH WOMEN

BE SECCESSFUL WITH WOMEN

18
Aug
09

The Art OF Seduction!

We all have the power of attraction—the ability to draw people in and
hold them in our thrall. Far from all of us, though, are aware of this
inner potential, and we imagine attractiveness instead as a near-mystical
trait that a select few are born with and the rest will never command. Yet all
we need to do to realize our potential is understand what it is in a person’s
character that naturally excites people and develop these latent qualities
within us.
Successful seductions rarely begin with an obvious maneuver or strate¬
gic device. That is certain to arouse suspicion. Successful seductions begin
with your character, your ability to radiate some quality that attracts people
and stirs their emotions in a way that is beyond their control. Hypnotized
by your seductive character, your victims will not notice your subsequent
manipulations. It will then be child’s play to mislead and seduce them.

We all have the power of attraction—the ability to draw people in and

hold them in our thrall. Far from all of us, though, are aware of this

inner potential, and we imagine attractiveness instead as a near-mystical

trait that a select few are born with and the rest will never command. Yet all

we need to do to realize our potential is understand what it is in a person’s

character that naturally excites people and develop these latent qualities

within us.

Successful seductions rarely begin with an obvious maneuver or strate¬

gic device. That is certain to arouse suspicion. Successful seductions begin

with your character, your ability to radiate some quality that attracts people

and stirs their emotions in a way that is beyond their control. Hypnotized

by your seductive character, your victims will not notice your subsequent

manipulations. It will then be child’s play to mislead and seduce them…… there will be more on this, stay close!!

18
Aug
09

The First Taste Of Seduction!!

sophisticated art, the ultimate form of power and persuasion. They learned
to work on the mind first, stimulating fantasies, keeping a man wanting
more, creating patterns of hope and despair—the essence of seduction.
Their power was not physical but psychological, not forceful but indirect
and cunning. These first great seductresses were like military generals plan¬
ning the destruction of an enemy, and indeed early accounts of seduction
often compare it to battle, the feminine version of warfare. For Cleopatra,
it was a means of consolidating an empire. In seduction, the woman was no
longer a passive sex object; she had become an active agent, a figure of
power.
With a few exceptions—the Latin poet Ovid, the medieval
troubadours—men did not much concern themselves with such a frivolous
art as seduction. Then, in the seventeenth century came a great change:
men grew interested in seduction as a way to overcome a young woman’s
resistance to sex. History’s first great male seducers—the Duke de Lauzun,
the different Spaniards who inspired the Don Juan legend—began to adopt
the methods traditionally employed by women. They learned to dazzle
with their appearance (often androgynous in nature), to stimulate the
imagination, to play the coquette. They also added a new, masculine ele¬
ment to the game: seductive language, for they had discovered a woman’s
weakness for soft words. These two forms of seduction—the feminine use
of appearances and the masculine use of language—would often cross
gender lines: Casanova would dazzle a woman with his clothes; Ninon
de l’Enclos would charm a man with her words.
At the same time that men were developing their version of seduction,
others began to adapt the art for social purposes. As Europe’s feudal system
of government faded into the past, courtiers needed to get their way in
court without the use of force. They learned the power to be gained by se¬
ducing their superiors and competitors through psychological games, soft
words, a little coquetry. As culture became democratized, actors, dandies,
and artists came to use the tactics of seduction as a way to charm and win
over their audience and social milieu. In the nineteenth century another
great change occurred: politicians like Napoleon consciously saw them¬
selves as seducers, on a grand scale. These men depended on the art of se¬
ductive oratory, but they also mastered what had once been feminine
strategies: staging vast spectacles, using theatrical devices, creating a charged
physical presence. All this, they learned, was the essence of charisma—and
remains so today. By seducing the masses they could accumulate immense
power without the use of force.

And So It Starts

Thousands of years ago, power was mostly gained through physical violence and maintained with brute strength. There was little need for

subtlety—a king or emperor had to be merciless. Only a select few had

power, but no one suffered under this scheme of things more than women.

They had no way to compete, no weapon at their disposal that could make

a man do what they wanted—politically, socially, or even in the home.

Of course men had one weakness: their insatiable desire for sex. A

woman could always toy with this desire, but once she gave in to sex the

man was back in control; and if she withheld sex, he could simply look

elsewhere—or exert force. What good was a power that was so temporary

and frail? Yet women had no choice but to submit to this condition. There

were some, though, whose hunger for power was too great, and who, over

the years, through much cleverness and creativity, invented a way of turning the dynamic around, creating a more lasting and effective form of

power.

These women—among them Bathsheba, from the Old Testament;

Helen of Troy; the Chinese siren Hsi Shi; and the greatest of them all,

Cleopatra—invented seduction. First they would draw a man in with an alluring appearance, designing their makeup and adornment to fashion the

image of a goddess come to life. By showing only glimpses of flesh, they

would tease a man’s imagination, stimulating the desire not just for sex but

for something greater: the chance to possess a fantasy figure. Once they had

their victims’ interest, these women would lure them away from the masculine world of war and politics and get them to spend time in the feminine

world—a world of luxury, spectacle, and pleasure. They might also lead

them astray literally, taking them on a journey, as Cleopatra lured Julius

Caesar on a trip down the Nile. Men would grow hooked on these refined,

sensual pleasures—they would fall in love. But then, invariably, the women

would turn cold and indifferent, confusing their victims. Just when the

men wanted more, they found their pleasures withdrawn. They would be

forced into pursuit, trying anything to win back the favors they once had

tasted and growing weak and emotional in the process. Men who had

physical force and all the social power—men like King David, the Trojan

Paris, Julius Caesar, Mark Antony, King Fu Chai—would find themselves

becoming the slave of a woman.

In the face of violence and brutality, these women made seduction a sophisticated art, the ultimate form of power and persuasion. They learned

to work on the mind first, stimulating fantasies, keeping a man wanting

more, creating patterns of hope and despair—the essence of seduction.

Their power was not physical but psychological, not forceful but indirect

and cunning. These first great seductresses were like military generals plan¬

ning the destruction of an enemy, and indeed early accounts of seduction

often compare it to battle, the feminine version of warfare. For Cleopatra,

it was a means of consolidating an empire. In seduction, the woman was no

longer a passive sex object; she had become an active agent, a figure of

power.

With a few exceptions—the Latin poet Ovid, the medieval

troubadours—men did not much concern themselves with such a frivolous

art as seduction. Then, in the seventeenth century came a great change:

men grew interested in seduction as a way to overcome a young woman’s

resistance to sex. History’s first great male seducers—the Duke de Lauzun,

the different Spaniards who inspired the Don Juan legend—began to adopt

the methods traditionally employed by women. They learned to dazzle

with their appearance (often androgynous in nature), to stimulate the

imagination, to play the coquette. They also added a new, masculine ele¬

ment to the game: seductive language, for they had discovered a woman’s

weakness for soft words. These two forms of seduction—the feminine use

of appearances and the masculine use of language—would often cross

gender lines: Casanova would dazzle a woman with his clothes; Ninon

de l’Enclos would charm a man with her words.

At the same time that men were developing their version of seduction,

others began to adapt the art for social purposes. As Europe’s feudal system

of government faded into the past, courtiers needed to get their way in

court without the use of force. They learned the power to be gained by se¬

ducing their superiors and competitors through psychological games, soft

words, a little coquetry. As culture became democratized, actors, dandies,

and artists came to use the tactics of seduction as a way to charm and win

over their audience and social milieu. In the nineteenth century another

great change occurred: politicians like Napoleon consciously saw them¬

selves as seducers, on a grand scale. These men depended on the art of se¬

ductive oratory, but they also mastered what had once been feminine

strategies: staging vast spectacles, using theatrical devices, creating a charged

physical presence. All this, they learned, was the essence of charisma—and

remains so today. By seducing the masses they could accumulate immense

power without the use of force.

Stay Close And Find Out More…….

Captivate

18
Aug
09

The Truth Starts!

“MEN WEREN’T REALLY THE ENEMY— THEY WERE FELLOW VICTIMS SUFFERING FROM AN OUTMODED MASCULINE MYSTIQUE THAT MADE THEM FEEL UNNECESSARILY INADEQUATE WHEN THERE WERE NO BEARS TO KILL.”

— BETTY FRIEDAN

The Feminine Mystique




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